Wafaa Bilal: Indulge Me at MCA Chicago

Wafaa Bilal (b. 1966, Najaf, Iraq; lives and works in New York), Rendering of Canto III, 2023. © Wafaa Bilal. Courtesy of the artist.

Museum of Contemporary Art Chicago
220 E Chicago Ave
Chicago IL 60611

Wafaa Bilal: Indulge Me is the first major survey of internationally renowned artist Wafaa Bilal (b. 1966, Najaf, Iraq; lives in New York, NY). Working in performance, sculpture, and with online and interactive technologies, Bilal’s interdisciplinary practice investigates the dynamic between international and interpersonal politics while highlighting the tension between his home in the United States, which he has deemed the “comfort zone,” and the “conflict zone” of Iraq. The exhibition covers the breadth of Bilal’s versatile career by exploring his performance practice, the use of power in Saddam Hussein’s regime, and Iraqi history and antiquity. It will feature archival displays of his iconic month-long performance Domestic Tension (2007) and year-long performance 3rdi (2010–11), as well as two new works including a sculptural commission for the MCA.

A theme running throughout the exhibition is cultural cannibalism—that is, how culture (in particular the culture of the other) can be used, disassembled, and consumed. Within each of Bilal’s works, one can find metaphorical and literal traces of this idea. Whether through the artist leveraging his own body to interrogate notions of power, or through his use of innovative technologies to rectify acts of cultural destruction, Bilal shows us what it means to consciously engage across cultures while highlighting the negative global implications of consumption, exploitation, and profiteering.

The exhibition is accompanied by a major publication, the first to survey multiple projects by the visionary artist.

Wafaa Bilal: Indulge Me is curated by Bana Kattan, Pamela Alper Associate Curator, with Iris Colburn, Curatorial Associate.

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Melissa Joseph: Artsy

Portrait of Melissa Joseph in her studio, 2024. Photo by Ryan Lowry for Artsy.

The Artsy Vanguard 2025: Melissa Joseph

“It’s hard to know where to look first in Melissa Joseph’s midtown Manhattan studio. Perhaps the work table, piled with tufts of wool in an array of colors that would make the Crayola 64-pack blush? Perhaps the heap of tires in the corner, or the knickknacks that line the windows overlooking 39th Street. Or maybe a small, figurative felt piece displayed in a shadow box frame, depicting a sunset, as filtered through the frame of a cell phone screen.

Joseph didn’t make this work—her eight-year-old niece, Olive, did. Even so, it feels particularly emblematic of the artist’s personality and practice. A “pathologically extroverted” (her words) former art teacher still eager to nurture the creativity of those around her—including, I would come to find out, visiting journalists—Joseph radiates warmth that is equally present in her felt compositions. These works, which often depict her family members, are cocoons of memory and heritage, deeply concerned with materiality and the afterlife of images. Joseph has worked across a variety of media, including ceramics and paper pulp, but it is her fiber portraits—created using a distinctive needle-felting technique and often paired with found objects—that have become her signature..”

—Olivia Horn for Artsy

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EFA Studio Member Artist Wafaa Bilal's solo exhibition opened at the House of Wisdom in Sharjah, UAE, marking the first time his touring project ‘168: 01’ is staged in the Middle East.

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