News
Chakaia Booker photographed in front of Shaved Portions, her public sculpture now on view in Manhattan’s Garment District.
Photo: Alexandre Ayer. Courtesy of David Nolan Gallery.
Robert Blackburn Printmaking Workshop Artist Chakaia Booker is featured in Vogue US.
Her exhibition WORKS on PAPER is on view through July 11, in conjunction with her public artwork Shaved Portions, located at Broadway and 39th Street.
On the evening of May 7th, EFA was honored by Artists' Fellowship, Inc at their 165 Annual Award Event, an evening dedicated to honoring distinguished individuals and organizations in the field of art. EFA was represented by Founder and former Executive Director Jane Stephenson to receive the Gari Melchers Memorial Medal. She was introduced by current Executive Director George Scheer.
Also, awarded that night was Artist KayWalking Stick, who received the Benjamin West Clinedinst Memorial Medal, and The Haven Foundation, who received the Presidential Award.
View Images and Videos of the Event Here
Courtesy of artist Suzan Frecon / Artists Rights Society (ARS), New York
The Menil Collection
1533 Sul Ross St.
Houston, TX 77006
April 26 – August 25, 2024
John and Dominique de Menil believed that abstract art offered alternative and spiritual ways of approaching reality. “In a world cluttered with images,” Dominique de Menil said, “only abstract art, can bring us to the threshold of the divine.” Abstract Expressionism, a modernist approach to artmaking that rose to prominence in the United States during the 1940s and 1950s, intrigued the de Menils. Their patronage of several of these artists, such as Barnett Newman and Mark Rothko, has famously become a pillar of the museum’s collection today.
Abstraction after Modernism: Recent Acquisitions highlights work made by succeeding generations of artists who forged new paths in their approaches to non-representational art. The exhibition brings together acquisitions made by the Menil over the past fifteen years, including work by Agnes Denes, Suzan Frecon, Sam Gilliam, Ellsworth Kelly, Rick Lowe, and Richard Serra.
Photo of George Scheer. Photographed by David Katz
The Board of Directors of The Elizabeth Foundation for the Arts (EFA) is pleased to announce George Scheer as the organization’s new Executive Director. Scheer brings over 20 years of creative leadership and arts management experience to the EFA. Co-Founder and Executive Director of Elsewhere, an experimental museum and artist residency in North Carolina, Scheer most recently served as Executive Director of the Contemporary Arts Center, New Orleans. He succeeds EFA’s Founding Director Jane Stephenson, who departs the organization following 32 years of service.
“We are delighted and excited to have George as our new Executive Director and feel confident he will guide EFA into a solid future,” said Board Chair, Alan Kleiman.
Now in its 32nd year, Scheer joins the organization at a critical moment as it strengthens the foundation of its programming and operations, grows board leadership, and expands patron support. “I am thrilled to join an organization like EFA, which makes supporting and sustaining artists within a holistic arts ecology core to its mission,” said Scheer. “EFA exemplifies the essential role of an artist-centered institution in fostering the next generation of artistic and critical thought.”
Scheer founded and directed Elsewhere in 2003, an experimental museum and artist residency set within a former surplus store once owned and operated from 1939 to 1997 by Scheer's grandmother. Located in downtown Greensboro, North Carolina, Elsewhere is a pioneer in relational practices in the residency field, and has developed an immersive and interactive art environment created through collaboration and co-creation by artists over time. It hosts more than 35 international artists annually, who work across media to create site-specific artwork out of the former store’s vast collection of unused inventory and cultural materials. As Founder and Director, Scheer oversaw the creative and operational direction of the museum, and led the capital fundraising, historic building restoration, collection management, and programmatic and educational development, which continues its operations today.
At the Contemporary Arts Center, New Orleans (CAC), Scheer oversaw organizational strategic planning, operational and financial restructuring. Amidst the pandemic, Scheer developed and implemented a five-year strategic plan, prioritizing social impact, earnings growth, long-term facility investment, institutional communications, and renewed mission and vision. Scheer also curated a three-year program of exhibitions and performances exploring issues of carceral justice, health equity, and climate change. Programming convened civic leaders, artists, and impacted communities, prioritized local knowledge, amplified existing strategies, and cultivated a more diverse, civically-engaged audience.
“We are thrilled to have George step in at the helm of EFA. His experience and commitment to building cultural and creative communities centered on sustainability will usher EFA into a new exciting chapter. We look forward to his fresh perspective and innovative ways to continue building our community and support creative practices.” –HC Huỳnh, Deputy Director, EFA
Scheer holds a Doctorate from the University of North Carolina–Chapel Hill in Communication and Performance Studies where he wrote Deploying Place: Cultural Economy of Art and Urbanism in the Great Recession. He received an MA in Critical Theory, Literature, and Visual Studies from Duke University, and a BA from the Annenberg School for Communication at the University of Pennsylvania, studying Political Science, Nonprofit and Government Management.
(Back, left to right) Board members: Michelle Loh, Alan Kleiman, George Gordon King, and Deanna Rockefeller
(Front, center) Founder, Jane Stephenson
Jane Stephenson, a Founder and former Executive Director of The Elizabeth Foundation for the Arts, worked for 33 years to create and develop EFA into the vibrant artistic hub it is today. In its first year, it made over 130 artist grants. With the purchase of its 12-story building in midtown Manhattan in May of 1998, EFA dedicated itself to providing space, tools and a cooperative forum for the development of artists' work and careers, and becoming a catalyst for cultural growth, stimulating new interactions between artists, creative communities and the public. In 1998 EFA initiated its Studio program, in 2005 it incorporated the EFA Robert Blackburn Printmaking Workshop, and in 2008 began presenting exhibitions through EFA Project Space.
Stephenson was born in 1936 in the small town of Muscatine, Iowa. She was active in debate, leading her high school to victory in state and national competitions, where she placed 5th in the country in extemporaneous speaking. These skills served her well in a life in business and the arts. She received her Bachelor's Degree from Iowa Wesleyan, a Master's Degree from the Theater Department at Northwestern University and a Doctorate from the University of Denver focusing on the costuming of Victorian stage actor, Sir Henry Irving.
In 1959 she met and married Donald Guy “Deeg” Buckles, an actor and director who had been part of the 1955 Broadway production of Inherit the Wind. Together they created Tent at the Lake, in Springfield, Illinois, a summer outdoor theater production staged in a tent in the round and employing equity actors. Stephenson taught costume and set design at the University of New Mexico, designing for the school’s plays and operas. She also managed costume design at the University of Denver while working on her doctorate.
In the late 1970’s Stephenson began a global clothing design wholesaler, Mogul, Ltd. which fashioned modern takes on traditional women’s wear from India and Pakistan. The business ran successfully until 1990 when following her mother’s death, Stephenson closed the operation to focus on the creation of The Elizabeth Foundation for the Arts.
Stephenson is the mother of three creative children and the grandmother of two. She and her children lived in London for three years and in Pakistan for five years, deepening their appreciation of the importance of art in all its aspects in the US and around the world.
“It is with great pleasure that I celebrate George as EFA’s new Executive Director. He brings outstanding professional experience and demonstrated ability to listen, absorb, communicate and initiate action to address the challenges facing EFA. He has established positive relations with the entire EFA staff, and has the personality and dedication that EFA needs.” –Jane Stephenson, Founding Executive Director of EFA
Courtesy of the artist.
Battleboro Museum & Art Center
10 Vernon Street
Brattleboro, VT 05301
March 16 – June 16, 2024
The work in Out of Body was inspired by the phenomena of faith healing, or remote psychic healing. I mined Islamic medical and anatomical manuscripts from the 11th–17th centuries as well as 15th-century European alchemical iconography. I consider these primary sources to be objects of art rather than mere biological diagrams. They transcend the corporeal and hint at attempts to locate the soul. The body becomes a vehicle of psychological metaphors, portraying conflicts and dilemmas. A recurring image in Out of Body is a disembodied hand reaching into a wound, echoing the Gospel of Thomas, in which the hand of a doubting disciple probes Christ’s wound to find proof of the incorporeal spirit of divinity.
The process of art making requires suspending one’s participation in the physical plane to receive suggestions from the unconscious, which could also be understood as the realm of the Divine. I make my work in full participation with the mysterium tremendum, or the “numinous”—the awe-inspiring space in which I confront my demons, my gods, and the liminal between.
—Samira Abbassy
Courtesy of the artist.
RAINRAIN Gallery
110 Lafayette St, Suite 201
New York NY 10013
February 22 - March 30, 2024
RAINRAIN is pleased to present Exotic Star, a solo exhibition of new works by Kosuke Kawahara. Building upon the artist’s past exploration of themes related to darkness, perception, and the (de)formation of organisms, this assembly of paintings, drawings, and installation showcases the Brooklyn-based artist’s steadfast commitment to questioning modes of categorization, constructed norms, and ecological systems spanning the microscopic to the universal. Taking its name from a class of theoretical astronomical objects, this show deploys the term as a framework for understanding the cluster of works and the constellation of motifs uniting them.